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Netflix Is Slowing Down Film Production in New Strategy

Netflix is aiming to pivot to quality over quantity.

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In a Variety article Scott Stuber, the head of Netflixā€™s film division, laid out the new strategy.

ā€œRight now, weā€™re not trying to hit a set number of film releases. Itā€™s about ā€˜Letā€™s make what we believe in,ā€™ā€ Stuber said. ā€œAnd letā€™s actually put forth a slate that we can stand behind and say, ā€˜This is the best version of a romantic comedy. This is the best version of a thriller. This is the best version of a drama.ā€™ā€

What this means is that the streamer, who once claimed to be dropping a new movie every week of 2020, is that instead of pumping out 50 movies of widely varying quality throughout a year they’ll deliver around 25 that are, hopefully, over a better quality. The strategy has actually already kicked off this year with fewer releases overall and those films that have been released focused on being the best they can be in their genre. That’s led to a slew of award-worthy films like Maestro coming out but, more importantly, the cancellation of big-budget projects like Masters of the Universe as the studio starts actually looking at how much it’s spending.

This pivot comes as the streaming industry confronts its own mortality. Previously, Netflix had to create a crap ton of content quickly as studios pulled their libraries off the streamer and onto their own platforms at the turn of the decade. In order to fill the space a lot of content was needed but streaming is contracting and nearly every studio began pulling back well before Netflix. Now, the most dominant streamer is having to do the same.

ā€œWe were growing a new studio. Weā€™d only been doing this for a few years, and we were up against 100-year-old companies,ā€ Stuber said. ā€œSo you have to ask yourself, ā€˜What is your business model?ā€™ And for a while it was just making sure that we had enough. We needed volume.ā€ 


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Matthew Razak
Matthew Razak is a News Writer and film aficionado at Escapist. He has been writing for Escapist for nearly five years and has nearly 20 years of experience reviewing and talking about movies, TV shows, and video games for both print and online outlets. He has a degree in Film from Vassar College and a degree in gaming from growing up in the '80s and '90s. He runs the website Flixist.com and has written for The Washington Post, Destructoid, MTV, and more. He will gladly talk your ear off about horror, Marvel, Stallone, James Bond movies, Doctor Who, Zelda, and Star Trek.