Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
Image of yellow bear-like creature with gatling gun with a human pointing a gun on top of it in Palworld. This image is part of an article about how to fast travel in Palworld.
Image via Pocket Pair

Palworld Is a Lot of Things – But a Satire Is Not One of Them

There are plenty of labels for Palworld floating around at the moment. It’s been branded everything from a fresh take on the monster-taming genre to a derivative cash-in. In truth, Palworld is both of these things and more – but one thing it’s not is a satire.

Recommended Videos

Palworld Is Subversive, Not Satirical

A group of creatures looking miserable as they work in something like a sweatshop.


Don’t get me wrong: Palworld is undeniably subversive. It has off-brand Pokémon toting guns – how could it not be? The game even allows players to capture humans as well as Pal creatures, which is itself a sly inversion of the weird power dynamics baked into the Pokémon franchise.

But none of this is enough for Palworld to qualify as a satire. It is, at best, a parody; it lampoons the characters, worlds, and tropes of Pokémon and properties like it for comedic effect. To be a satire, Palworld would need to set its sights wider and say something about society itself – and it doesn’t.

Related: How to Get Nails in Palworld

Consider Prime Video’s The Boys, which is widely regarded as an effective superhero satire. It’s not satirical because characters like Superman pastiche Homelander blow up people’s heads or engage in outrageous sex orgies. No, it’s a satire because all that edgy stuff is a vehicle for exploring the corrupting influence of power and celebrity, among other themes.

The closest Palworld comes to this kind of commentary is via its Pal sweatshops, yet even this concept is seriously undercooked. Sure, row upon row of cute critters slaving away at conveyor belts is a striking image; it’s even morbidly funny. But what does it actually mean?

Palworld Is Full of Pal & Fury, Signifying Nothing

A player riding a Pal in Paldworld. This image is part of an article about the best stats to use points on in Palworld.

The best I can come up with is that it’s a critique of corporations (including Nintendo and The Pokémon Company) exploiting and even corrupting their creations. However, that feels like a stretch. Instead, it seems more likely that developer Pocketpair was more interested in shock value than messaging.

The same goes for Palworld‘s lip service toward the hunting mechanic at the heart of the monster-taming genre. Again, Pocketpair handles this as spoof more than satire because isn’t it hilarious to think of (or even become) a Pokémon poacher? But does the game actually unpack poaching – and, by extension, the idea of ravaging nature for our own selfish ends – as a concept? Nope.

Related: Best Base Locations in Palworld

Heck, there’s not even room in Palworld‘s story-lite survival sandbox for incisive snipes at the collector mentality or the ethics of pet ownership. Its “themes” really do boil down to Pokémon with guns; it’s as simple and profound as that. And honestly? There’s nothing wrong with that, any more than there’s anything wrong with enjoying Palworld itself.

But what is wrong is labeling Palworld a satire – because it just ain’t so.

Palworld Early Access is available now.


The Escapist is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Leon Miller
Leon Miller
Contributing Writer
Leon is a freelance contributor at The Escapist, covering movies, TV, video games, and comics. Active in the industry since 2016, Leon's previous by-lines include articles for Polygon, Popverse, Screen Rant, CBR, Dexerto, Cultured Vultures, PanelxPanel, Taste of Cinema, and more.