Sure, 12 Monkeys might wind up being 13 episodes of time travel paradoxes without a satisfying resolution — but so far it’s worth watching.
Though it always feels like it’s too soon to remake a classic, Terry Gilliam’s iconic take on 12 Monkeys will be 20 years old this year. (Let that sink in. 20 years old.) And so, faded from the public mind, perhaps now is a good time to revisit this crazy time-travel apocalypse once again… but now with the slow-burn development that you can only get in a television series. It’s a good enough pitch that someone at SyFy said yes to it, and the 13-episode season has just started airing.
Still, the original film is so marked by Gilliam’s influence it’s hard to imagine the world of 12 Monkeys without Gilliam’s involvement — the television show has no relationship to the film, dubbed by its producers as a “complete reimagining” of the world. Will 12 Monkeys the TV show catch our imaginations like 12 Monkeys the movie did? It’s difficult to imagine that it would, and yet the finished product is compelling despite my own misgivings on the remake machine.
Miss the first episode, “Splinter”? You can watch it now on SyFy’s website or buy it on Amazon — and fans of science fiction, whether familiar with the original or not, are likely to enjoy it. The review below will contain spoilers, though not much you wouldn’t know if you’ve already seen the original. Now, let’s dig in to the new/old world of 12 Monkeys.
The setup of the show is simple. Our protagonist Cole (Aaron Stanford) has been sent back in time from the year 2043 to try to stop a virus outbreak before it overtakes the world and creates the apocalyptic future he lives in. To do this, he seeks out Cassandra Railly (Amanda Schull), a virologist who left a message that future scientists received which mentioned Cole’s name. (You may remember that this was a key plot point of the movie, as well.)
Cole’s mission is simple: he’s to go back in time, find Railly, and use her to find Leland Goines (Zeljko Ivanek), who’s believed to be responsible for the outbreak. From there, things go a bit Terminator 2. Remember when Sarah Conner decided she’d solve the whole Judgement Day thing by executing the man who invented Skynet? But then decided that wouldn’t fix things because his work would live on without him? This is the same idea, but with fewer killer robots (at least so far).
When Cole finds Goines, he’s supposed to kill him — which will theoretically prevent the virus outbreak and remove Cole from existence, as the terrible future in which he was sent back in time would never have existed. If you think that sounds way too straightforward, you’d be right. After shooting Goines, Cole doesn’t simply blink out of existence (though he does spend a moment shouting at Goines’ corpse as though it’s at fault). When he winds up back in the future, everything’s exactly the same — the scientists think he’s failed his mission, but he insists he did kill Goines and there must be another culprit.
So who’s really to blame for the tragedy? The Army of the 12 Monkeys, of course, which Cole only knows about because Goines told him they’d met in the past — and when they did, Cole asked him about the Army of the 12 Monkeys. We’re heading deep into paradox territory here. Cole wouldn’t know about the 12 Monkeys to investigate them without having gone to the past to ask Goines about the group in the first place… which he hasn’t actually done yet.
The time travel mechanics throughout make for good watching. Though there are some definite paradoxes set up, they’re used sparingly enough that it doesn’t feel like it’s too twisted to ever make any sense (a trap that Doctor Who sometimes falls into) — instead, you want to keep watching in hopes you’ll figure out what’s actually going on. Cole himself is said to “splinter” between times, vanishing in one and immediately reappearing in another, but he doesn’t seem to have control over the ability, which means he appears and disappears as is convenient to the plot. Still, the time travel element adds tension rather than bogging the show down with mechanics.
So just who — or what — is the Army of the 12 Monkeys? In the movie it turned out to be an animal rights organization that had nothing at all to do with the outbreak… so chasing them down may be a false flag for Cole. But since the series isn’t tying itself to the movie, things could work out completely differently. The original 12 Monkeys was compelling because you didn’t know what would happen next, but it presented a compelling mystery that made you want to find out. On television, we simply don’t know how this is going to pan out, but the story and the presentation are still compelling enough that we want to watch and find out, even as it retreads over old material.
After Goines’ death, his wealth, and perhaps his technology and his company, passes on to his daughter Jennifer (Emily Hampshire) — a genderswap from the film, in which it was a son, Jeffrey, played by Brad Pitt. Jennifer is shown, presumably, in a mental hospital, in which she’s drawing the 12 Monkeys logo on the walls. Does she — or someone else — continue her father’s work? Right now this series is more questions than answers… but the questions are compelling enough that we’re going to tune in next week to try to find the answers.
Bottom Line: The premiere of 12 Monkeys manages to carefully walk the fine line of science fiction, being both believable enough to become invested while also making use of the fantastic elements the genre is famous for. With great visuals, solid acting (though without a particularly well-known cast), and some compelling mysteries, we’re already checking our watches to see if it’s time for next week’s episode.
Recommendation: If you’re a fan of science fiction in general or time travel in particular — or you’re just missing Doctor Who in the off-season — 12 Monkeys provides plenty of time travel paradoxes and twisty plots to enjoy. Though the season could fail to deliver on the promise of this first episode, so far it’s well worth watching.
[rating=4.0]
Published: Jan 20, 2015 01:00 pm