Horrific Found-Footage Love Letter to Anne Hatheway – Adrian Tofei Interview

Hollywood’s idea of a horror movie has fallen so far away from frightening that they might as well come up with a new name for the genre. With the likes of The Lazarus Effect, Poltergeist, The Gallows, and Paranormal Activity #62 all being released in 2015, it might not be much of a stretch to say that we’re at an all-time low when it comes to horror movies coming out of Hollywood. As such, it’s time for us to look elsewhere.

“Elsewhere,” at least for the purpose of this article, is Romania, where we find Adrian Tofei, the director, writer, star, producer – and likely almost any role involved in its production – of Be My Cat: A Film for Anne, a title so intriguing that I made it a priority to watch it. Adrian was kind enough to answer a few important questions about his film, such as the most obvious: What exactly is Be My Cat?

• It’s a movie about a guy in Romania who goes to extremes to convince actress

Anne Hathaway

to play in his film. And it’s also Romania’s first found footage horror movie. But spoken in English, since it’s addressed to Anne.

That’s certainly an interesting idea for a movie, although it doesn’t exactly scream horror – especially not at first. As the movie opens, all you have is a fan of an actress making a video he hopes she’ll notice in order to have her star in another movie. But as it progresses, it becomes something far, far more. As mentioned above, Adrian starred in the movie – in addition to all of those other roles – something that was an interesting experience, to say the least. Adrian has a wonderful perspective when it comes to playing a character.

A character is just a psychological identity or ourselves. We all have different psychological identities in real life. We’re born with certain psychological traits, but our life experiences shape those traits. They suppress some of them and they highlight others. But we have different environments to experience life. At our job we behave in one way because of years of life experiences in social situations that shaped our social identity. That identity even has an official name. Mr. Anderson, for example. But when we’re at home with family, we behave in a different way because of years of personal and intimate experiences that shaped our intimate identity. That identity even has a different name. Andy instead or Mr. Anderson. So, you see, we all play different characters in real life. When working on a role, the actor has to have some new life experiences to help him shape a new identity – his character in the movie. The only difference is that the fictional character is often so different from our real life characters we play daily. And that character gets to manifest only in fictional circumstances during filming. In the rest of the time it’s not quite living in character. It’s half living. You experience most of the things indirectly, using a lot your imagination, watching movies and documentaries, listening to music and reading.

Adrian’s character in the film wasn’t the only one in the entire picture, though. The premise has him shoot other actresses in order to show how good of a director he is, so that Anne Hathaway will agree to star for him. But when a film has this many “roles,” as well as improvisation and a meta element, working with only a select few people can prove challenging.

• Every moment was a challenge. We didn’t have a written script, we fully plunged into our characters and improvised on the basis of months and months of previous preparations, when I did everything possible to create the psychological and practical circumstances that would lead during filming to what I had in mind for this movie. So practically, I knew that what will happen during improvisations will be exactly what I need in the movie, since I worked months on controlling all those circumstances, but I didn’t know the details of what will happen, so every second was a challenge. And the fact that I played a director and the actresses

Sonia Teodoriu

• ,

Florentina Hariton

• and

Alexandra Stroe

• played actresses in the movie, and more than this,

that

• director played another guy is the scenes he was shooting and the actresses played

another

actress in those scenes. And since we didn’t have other crew members present, it was a dangerous psychological situation. We had a language switch to differentiate the situation when I was giving instructions to the actresses and the situation when the director I was playing was giving instructions to the actresses that they were playing. Whenever we switched from Romanian to English, that was a sign that we plunge into our characters. But then … our characters also played other characters … so, yeah, it was a psychological roller coaster.

Adrian and his stars even got so into their characters – and their characters’ characters – that he doesn’t even view himself as the director.

I didn’t direct. My character in the movie directed everything. I partially lived in character for a year before shooting and while shooting I fully plunged into my role and directed everything while in it. His goal was to convince Anne Hathaway to come to his town in Romania and play in his film. So he did everything possible to convince her of that. The majority of the directorial decisions were his decisions, not mine. A found footage film is fueled by the goal of the character who films everything. Only the actor with that character’s personality and goal assumed, can decide what to do with the camera. Otherwise, if somebody else makes directorial decisions, they are not realistic enough for the found footage filmmaking concept, they cannot be consistent with that character’s personality and goal. If a found footage film looks directed, everything is ruined.

However, he definitely did have to be himself for the editing portion of creating the film, which, by his account, was an incredibly difficult thing to do. 25 hours of footage was shot, and Adrian had to edit it down to the current 87-minute version.

Editing was true horror. One of the worst periods of my life. I went into anxiety after months of not sleeping and keep editing and re-editing and sound mixing. The initial version had 109 minutes. But since I got feedback from some festivals and filmmakers telling me it’s too long, I’ve made the current 87 minutes version, which is the final cut. Everything was a struggle. Every second, every frame. I try not to remember. I am afraid when I think that the time will come to edit my next movie. Editing is pure nightmare. It should be done with psychological counseling only.

One of the main things that intrigued me about Be My Cat – apart from the title – was the way that it went against traditional horror film tropes. It’s not all jump startles and darkness; there’s a true psychological aspect to it, beyond the meta-ness. Adrian was inspired by both contemporary found footage films, along with some horror classics.

• [I was inspired by] three found footage masterpieces:

The Blair Witch Project

• ,

Exhibit A

• and

Zero Day

• . Plus Anne Hathaway’s great acting performance in

Les Miserables

• , which inspired me to choose her as my character’s obsession in

Be My Cat

• . But I am sure there were other influences from my childhood and teenage years, when I saw

Psycho

• or

Carrie

.

Now that the movie is finished, it’s time for the struggle with which almost all independent filmmakers struggle: finding distribution. After all, this is a film that you’ll want to be able to watch.

• I’m in talks with a sales agent. And at the same time I make efforts to find distributors on my own. It’s very hard. But I have strong hopes. A film site recently included it in the 100 best horror movies of the 2000s, it has been recently selected at 2015

A Night of Horror International Film Festival

• in Sydney

[Note: the film won the 2015 Best Film Award]

, which is the biggest genre festival in Australia and one of the most important in the world, so I hope all this, including this interview, will help make the movie better known and in finding distribution.

One of the better ways to get the film seen may be to get it into the hands of the actress of its title, Anne Hathaway, although that hasn’t happened as of yet.

• The movie hasn’t been selected at a film festival in US so far and didn’t got mentioned in any of the very big film sites in US. So most probably Anne Hathaway and her friends and collaborators don’t know about it.

Yet

.

Despite not yet having secured distribution for Be My Cat, Adrian hasn’t been deterred from starting on his next project, an ambitious work that he hopes will be finished by 2017.

• I’m working on

We Put the World to Sleep

• . It’s an apocalyptic and metaphysical found footage film about two young idealists who embark on a mission to bring everything to an end. I’ve chosen the lead actress these days –

Erisse Peterson

• – after almost 3 months of public online auditions, and we’re currently getting ready to put the world to sleep, ha ha. It’s the most ambitious project of my life, what I always wanted to do, to combine the power of the realism of the found footage format with profound questions about the meaning of life and the essence of our existence.

The Blair Witch Project

• meets

2001: A Space Odyssey

.

If you would like to enquire about Be My Cat: A Film for Anne, you can use the official site’s contact page, or contact Adrian directly on the Twitter.

If you want more of Matthew “Marter” Parkinson, you can follow him on the Twitter @Martertweet and check out his weekly movie podcast.