Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
The WB, the logo for Time Warner's 90s/2000s slots.

What Happened to The WB?

The WB Television Network, better known as The WB, delivered a wealth of programming, including Buffy the Vampire Slayer and its spinoff Angel. But then, it disappeared, and besides the odd half-hearted revival, it’s stayed gone. So, what happened to The WB?

Recommended Videos

What Happened to The WB & Why

The WB was canceled due to a decline in ratings and was folded into The CW, which gave us shows like Arrow and The Flash.

The WB was launched in 1996 and was Time Warner’s attempt to deliver programming aimed at the 18-34 market. There was a range of shows, from dramas to sitcoms and beyond, including Buffy the Vampire Slayer, The Wayans Bros, Gilmore Girls, Smallville, Angel, Dawson’s Creek, and many more. Supernatural later moved to The CW, but it began life on The WB.

I wouldn’t describe the shows as super wholesome, but every now and again, an episode would have a message, such as Buffy the Vampire Slayer’s cringeworthy “Bad Beer.” And of the shows I’ve seen, any violence tended to have zero or low blood.

Initially, The WB was on one night a week, but that expanded over time, ending up with four nights of programming (via The LA Times). The fact the shows were generally work-safe and, in many cases, family-oriented worked out well for Time Warner. It meant advertisers were more than willing to have their commercials run during The WB’s programs.

The characters of Buffy the Vampire Slayer, Cordelia, Buffy, Giles, Xander and Willow, looking at the viewer.

These shows weren’t necessarily made by WB, in the same way that Netflix commissions shows today. Dawson’s Creek, for example, was produced by Sony Pictures. However, with The WB, Time Warner had an age-appropriate audience for the shows.

However, as time went on, ratings dropped. Buffy the Vampire Slayer’s first series reached nearly 4 million viewers, and the show continued to pull in viewers, but other shows didn’t fare as well, especially when Buffy wasn’t airing, as Broadcasting + Cable noted,

It wasn’t just that people had stopped tuning in, though. One serious issue was that a huge block of people couldn’t tune in. As then reported by Highbeam, television station WGN dropped the WB, reducing the network’s potential audience by 10 million.

Related: ā€˜They Donā€™t Think of the Snyder Cut:ā€™ Stephen Amell Proclaims the Arrowverse Is DCā€™s Most Recent Success Story

Faced with dropping viewers, in January of 2006 (via Adweek), Time Warner made the decision to end The WB and fold some of the programming into The CW, a joint venture with CBS, again with a similar 18-34 target audience. Some shows, such as Supernatural and Gilmore Girls survived, but The WB as fans knew it was over.

So, the answer to what happened to The WB is that declining ratings led Time Warner to pull the plug on it.


The Escapist is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission.Ā Learn more about our Affiliate Policy
Author
Image of Chris McMullen
Chris McMullen
Chris McMullen is a freelance contributor at The Escapist and has been with the site since 2020. He returned to writing about games following several career changes, with his most recent stint lasting five-plus years. He hopes that, through his writing work, he settles the karmic debt he incurred by persuading his parents to buy a Mega CD. Outside of The Escapist, Chris covers news and more for GameSpew. He's also been published at such sites as VG247, Space, and more. His tastes run to horror, the post-apocalyptic, and beyond, though he'll tackle most things that aren't exclusively sports-based. At Escapist, he's covered such games as Infinite Craft, Lies of P, Starfield, and numerous other major titles.